Music

Sunshowers and Summer Clothes: When Music Brings Us Home

smgaillard Music, Parenting , , , , , , , , , ,

For Thelma Houston, Jimmy Webb, Brian Wilson, and Bruce Springsteen

Today, I wasn’t expecting to break down in tears. As I write this, my face is warm and wet from tears evoked by a song.

Music can do that.

Earlier in the week, I had come across a picture on Instagram of Jimmy Webb and Thelma Houston. Their 1969 collaboration yielded a beautiful album entitled “Sunshower.” It’s a stunning collection of songs from the pen of Jimmy Webb. You know Jimmy Webb if you know songs like “Up, Up, & Away,” “MacArthur Park,” and “Wichita Lineman.” He arranged and produced the album with noble support from various studio musicians from the legendary Wrecking Crew. Thelma Houston is the star of the show with her vocals evoking Gospel, Broadway, R&B, Soul, and Pop all amalagated into a sound that transcends categories.

My mother had a beloved copy of the album. I remember the illuminating album cover of Thelma Houston arrayed in a yellow pantsuit sitting in a yellow room. Her smile was sunshine personified. Heck, she was the sun itself.

Having seen that picture on Instagram, I decided to put the needle on the album that my mother had given me last year. It’s the same album and the original pressing with its crackling warm hiss of snaps, crackles, and pops just aligned with my Sunday morning.

The second track on the album triggered my tears. “Everybody Gets to Go to the Moon” kicks in on a solid set of triplets evocative of the symphonic sound during the middle instrumental section of “MacArthur Park.” Drummer Hal Blaine, the master studio percussionist, keeps the beat snappy and swinging. As soon as I heard the opening notes, I am instantly transformed to my early childhood in Carson, California. I might be 4 or 5 years old. I can see Mom preparing Rice-A-Roni in the kitchen. She’s got Houston belting out the beauty of moon travel in the midst of complex shifting time signatures all in one measure as Webb conducts the Wrecking Crew amidst a loving tidal wave of sound. I remember dancing with my arms outstretched with my big brother and little sister. We are twirling about and pretending we are flying to the Moon. Mom is keeping the beat on a ladle as she is stirring the rice in the kitchen. She is also gently encouraging us to be quiet as my newborn baby sister was sleeping.

Then, we hear the magic sound amidst Jimmy Webb’s mini-opera for Thelma Houston. It’s the magic sound of jangling keys on the front door. The sound denotes one thing and one thing only: “DADDY!” The three of us run at top speed toward that magical sound of keys dancing on the front door. The door opens and we leap into our Daddy. There are kisses and hugs. It’s joy and then we start dancing in time to Thelma Houston’s aria of “Everybody Gets to Go to the Moon.” Incidentally, another version of the song by The Three Degrees is used in the classic film, “The French Connection.”

I was so moved by the song this morning that I went to share the memories of Carson with my wife. I am weeping, smiling, laughing, and grooving to the solid beat of the song all at once. Carson was heaven on earth for me. That song simply brought me back to the sound of my father’s keys in the door and the joy of being in our family. As I am sharing these memories, I make a connection to another song that evokes a memory.

It’s 2007 and all of our daughter are home and their kids again. I am hearing “Girls In Their Summer Clothes” by Bruce Springsteen. It’s a warm day amidst a North Carolina summer. I pull into the driveway with the windows down and I see all three of my daughters playing in the backyard. They spot me and come running to me. I am crying as I write this. It’s full circle. I can now feel what my father felt as he jangled those keys in our front door on Radlett Avenue. All three leap into my arms. It’s heaven on earth. Springsteen’s song sounds like a lost track from the “Sunshower” album or even “Pet Sounds.” Both Brian Wilson of The Beach Boys and Jimmy Webb both drank from the same aspirational well of Technicolor sound in their records.

Brian Wilson once said that “Music is God’s voice.” I firmly believe that. It’s the divine thread that transcends all boundaries, divisions. Music is a time machine that connects us to memories. We hear a song and we transported backward into a memory. It keeps in perspective within the present. It can point us toward possibilities for the future.

What song does that for you? I would love to hear. Please share in the comments.

Here’s “Everybody Gets to Go to the Moon” by Thelma Houston:

Here’s “Girls In Their Summer Clothes” by Bruce Springsteen:

“Pet Sounds” Turns 60!

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Sixty years ago, “Pet Sounds” changed the way people heard music, emotion, vulnerability, and possibility.

This week on “Vinyl Riffs with Sean Gaillard,” I want to open up a conversation instead of simply doing a podcast episode.

What does “Pet Sounds” mean to you?

Maybe it is a memory.
Maybe it is a song that found you at the right moment.
Maybe it is an album that changed how you hear music.
Maybe it simply reminds you that beauty and vulnerability still matter.

Share your thoughts, memories, favorite songs, reflections, or stories in the comments.

I will be curating responses from music lovers, musicians, writers, podcasters, and fans around the world for a special 60th anniversary episode dropping this Saturday.

Music still connects us.
Albums still shape us.
“Pet Sounds” still matters.

Vinyl Riffs: Sagittarius’ “Present Tense and the Courage to Create

smgaillard Leadership, Music , , , , , , , , , , , , , , , , , ,

Years ago, I remember reading about a hallowed single featuring members of the Wrecking Crew. The song was “My World Fell Down,” credited to a group called Sagittarius. The truth is that Sagittarius was never really a group. It was something more elusive and, in many ways, more meaningful.

Released in 1967, “My World Fell Down” felt like it existed in the same sonic universe as what Brian Wilson was building with The Beach Boys. Think about “Good Vibrations” and the unfolding ambition of SMiLE. The form was shifting. The rules were dissolving. Pop music was becoming something expansive, layered, and deeply expressive.

That single led me, years later in the late 1990s, to track down a CD reissue of Present Tense. That is when I learned that the architect behind Sagittarius was Gary Usher, a collaborator with Brian Wilson of The Beach Boys who co-wrote “In My Room” and produced The Notorious Byrd Brothers. Alongside him was another studio visionary, Curt Boettcher.

What they created together on Present Tense was not just an album. It was a sanctuary.

A Studio Project That Became Something More

Sagittarius was never built for the stage. It was built in the studio, piece by piece, with contributions from elite session musicians and collaborators. It was a collective before that word became fashionable. It was a shared space where ideas could breathe.

At the time, Gary Usher was an in-demand producer at Columbia Records. The expectations were constant. The pressure to deliver was real. The work never stopped.

He created something outside of that system.

Sagittarius became his creative outlet. It became a place to experiment, to reconnect with meaning, and to create without the weight of constant expectation.

There is a story that has stayed with me from those liner notes I read years ago. Usher was hesitant to fully reveal himself as the force behind Sagittarius. He feared that doing so would only bring more demands from the label. More work would follow. More pressure would build. Less space would remain.

He recorded during off hours. Nights and weekends became the canvas.

That tells you everything you need to know about this album.

The Sound of Freedom and Trust

Released in 1968, Present Tense moves across genres with ease:

  • Baroque pop
  • Sunshine pop
  • Psychedelia

It is unified not by category, but by feeling.

You hear it immediately in the opening track, “Another Time.” The harp enters. The harmonies follow. The song feels warm, sublime, and almost otherworldly. It sounds like something beyond the everyday. It sounds like possibility.

Curt Boettcher’s songwriting and arranging shine throughout the record. His work here would extend into The Millennium, another project that stretched the boundaries of what pop music could be.

Across the album, the listener hears:

  • Layered vocal harmonies that feel choral and immersive
  • Studio experimentation including phasing and multi-track recording
  • Orchestral textures that elevate each arrangement

There are also moments of bold experimentation. Usher and Boettcher explored musique concrète, early synthesizer textures, and even incorporated elements connected to The Firesign Theatre. These were not safe choices. They were necessary ones.

This was not about chasing a hit.

This was about making something that mattered.

The Return of Present Tense

That is why this reissue matters so much.

Music On Vinyl has brought Present Tense back into the world with care and intention. This Netherlands-based label is known for its commitment to quality, and it shows here.

This limited reissue of 1000 copies is pressed on 180-gram vinyl. The packaging is thoughtfully reproduced on high-quality cardstock. The sound is pristine.

Every detail comes through:

  • The depth of the harmonies
  • The nuance of the arrangements
  • The studio innovations that defined the original sessions

When I drop the needle on “Another Time,” I hear something that still stops me in my tracks. Those opening notes feel like the sound of heaven.

There is love in this reissue. The same kind of love that went into creating the album in the first place.

You can explore more about their work here:
https://www.musiconvinyl.com/

The Leadership Riff: Protecting the Creative Soul

What compels me most about Present Tense is not just how it sounds. It is why it exists.

Gary Usher needed an outlet.

He needed space to create without expectation.
He needed room to experiment without judgment.
He needed to reconnect with the part of himself that made the work meaningful.

That resonates deeply.

In leadership, in music, and in life, the demands can take over. Expectations can define the work. Output can overshadow purpose.

Present Tense is a reminder that:

  • Space to create is essential
  • Trust in collaborators elevates the work
  • Courage to explore leads to meaning

This album is the sound of freedom.
It is the sound of collaboration.
It is the sound of quiet courage.

It is the sound of someone protecting their creative soul in a world that kept asking for more.

Take Your Present Tense for Present Tense

Every time I return to this album, I am reminded to be present in the work that matters.

To create.
To collaborate.
To trust.

To make space for something meaningful, even if it does not fit the mold.

I would love to hear how this album resonates with you. What do you hear when you listen to Present Tense? What does it bring out in you?

Listen and Subscribe: Vinyl Riffs with Sean Gaillard

This album will be featured in an upcoming episode of Vinyl Riffs with Sean Gaillard. If this resonates with you, I invite you to listen, subscribe, and share the journey.

YouTube: https://youtube.com/@seangaillard3841?si=qQtdTHssmUu3qL8m
Apple Podcasts: https://podcasts.apple.com/us/podcast/vinyl-riffs-with-sean-gaillard/id1875382603
Spotify: https://open.spotify.com/show/0qZ1Qa79O5ssx10OYFPVKO?si=d05d95748ab54eb8

Call for Guests and Albums to Riff On

I am always looking to connect with others who feel this music deeply.

If you have an album that has shaped you, or if you want to join me for a conversation on Vinyl Riffs, I would love to hear from you.

Please reach out at: sgaillard84@gmail.com

Much gratitude to Gary Usher and Curt Boettcher for creating something timeless.

Much gratitude to Music On Vinyl for honoring that legacy with care.

Much gratitude to you for taking the time to listen, read, and share in this space.

Nostalgia, Warmth, & Joy from “The A’s, The B’s, & The Monkees”-A Father’s Recollection

smgaillard Music, Parenting , , , , , , ,

There are weeks when leadership feels heavy and the noise of the world presses in. This has been one of those weeks. In the quiet spaces between meetings and responsibilities, I have found myself missing my daughters.

They are adults now. They are building lives of their own with courage and independence. I am proud of the paths they are carving. I would not change a thing about the strong women they have become. And yet, there are moments when I would give anything to load them into the car again, roll down the windows, and belt out a song at the top of our lungs.

As an unabashed fan of all things music, I always claimed the role of radio commander. I took that responsibility seriously. I wanted them to have a well balanced musical education. That meant a steady dose of The Beatles, plenty of The Beach Boys, and the soul and heartbeat of Motown. It also meant that they had to experience the joyful and slightly mischievous sounds of The Monkees.

We would sing along to “Daydream Believer,” “I’m a Believer,” and “Listen to the Band.” We would lean into the deeper cuts too, songs like “The Girl I Knew Somewhere,” “Cuddly Toy,” and “The Door into Summer.” They would giggle when I sang off key. We would quote silly lines from episodes of The Monkees television show. There was no agenda in those moments. There was only music, laughter, and the feeling that the world was right where it needed to be.

Recently, I put on the compilation The A’s, The B’s, and The Monkees and something in me softened. The songs came back like waves of warmth. I could hear their younger voices in the back seat. I could feel the steering wheel in my hands. I could sense that simple joy of being together with an upbeat soundtrack and sunshine in the grooves.

This upcoming episode of Vinyl Riffs with Sean Gaillard is rooted in that space. It is about nostalgia, warmth, and joy. It is about how music holds memory in a way nothing else quite can. It is about how a collection of A sides and B sides can become the soundtrack of a family story.

I have started this podcast project as a vehicle to express my passion. Leadership requires outlets. It demands a place where we can exhale and create without measurement or evaluation. For me, Vinyl Riffs is that trapdoor for creativity. It aligns with who I am at my core. It reminds me that before I was a leader, I was a listener. Before I carried titles, I carried records.

When I spin this album, I am not just revisiting songs. I am revisiting a season of life filled with back seat harmonies and open road joy. I am reminded that the moments that matter most are often soundtracked by simple melodies and shared laughter.

The A’s, The B’s, and The Monkees will always trigger memories of my daughters. It will always resonate with nostalgia, warmth, and joy. As I press record for this episode, I am grateful that music still gives me a way to hold those moments close while cheering them on from where they are now.

Still Spinning Toward What Matters

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I keep returning to the same conviction lately. Leadership is not supposed to cost us our humanity.

That belief feels more urgent now than ever. Human centered leadership is not a slogan or a presentation slide. It is a way of being that honors dignity, presence, and care. It resists the temptation to reduce people to metrics, optics, or short term performance. It recognizes the unseen weight others carry and chooses compassion anyway.

This season has tested me in ways I did not anticipate. The pressure to produce test scores has felt relentless and narrow. Health scares forced me to stop and confront my own limits without avoidance. Failure has spoken loudly at times and left me questioning my impact and my place. There were moments when leadership felt less like calling and more like endurance.

Over time, I have begun to see that failure does not always signal an ending. Sometimes it offers an invitation.

Stepping away from a role I once loved because my health required it was hard. That decision still aches occasionally, but I know that I am a better person for my family. At the same time, it created space for a new beginning. I could not see it at first. It has helped me realize I was not a failure in that gig. I was holding on too tightly to the demands of the gig that I could not see straight. I experienced another new beginning. I reached out to start a book study in my current gig. Unfortunately, no one joined. That disappointment lingered, yet the act of reaching out still mattered. My account on X was hacked and ultimately deactivated. What initially felt like loss became an unexpected redirection toward platforms where connection feels more personal and more grounded.

This season reminds me often of Paul McCartney in the immediate aftermath of The Beatles’ breakup.

McCartney did not emerge from that moment with certainty or acclaim. His first solo album, “McCartney,” was raw, homemade, and introspective. Critics dismissed it as unfinished and small. What they missed was the deeper truth. McCartney was not chasing relevance. He was healing. He was rebuilding quietly. He was making music not for applause, but for survival and clarity.

That period was not a collapse. It was a recalibration.

That analogy resonates deeply with me right now. I am not trying to recreate a past version of myself or chase a louder stage. I am learning how to rebuild in a way that is sustainable, honest, and aligned with who I am becoming. The work has become quieter, but it has also become truer.

That sense of recalibration followed me recently while watching “CBS Sunday Morning.” A segment on an upcoming book by Dr. Ezekiel Emanuel titled Eat More Ice Cream stayed with me, particularly his advice for 2026. He spoke about the importance of developing social relationships for well being and longevity. That message landed deeply. I know I need to invest more intentionally in connection. I know there may be times when invitations do not come. That possibility still stings. The commitment to reaching out remains because isolation is not sustainable for any of us. I didn’t get any takers on that book study I mentioned. But I did take a giant step to reach out to others, and that is o.k.

Leadership can be lonely. I want to name that for anyone who feels unseen or alienated right now. I have been there. I still visit that place at times. Reaching out can feel vulnerable and risky, yet it remains essential. No one should feel invisible while carrying responsibility for others.

I was reminded again of what human centered leadership looks like through my three adult daughters. Watching them lead with empathy, courage, and quiet awareness in different capacities affirmed this kind of leadership. It shows what leadership looks like when it is lived rather than announced. That moment grounded me. It also reinforced my belief that the future deserves better models than the ones we often elevate today.

There is still an ache present in my life on occasion. Gratitude and struggle exist side by side. I remain deeply thankful for the steady support of my wife and for the ongoing work of therapy. Healing continues to teach me patience, humility, and honesty. Leadership demands the same posture.

Frank Sinatra’s “Cycles” has been playing often in my space lately. The message of that particular song feels fitting. Life moves in seasons. Endings and beginnings overlap more than we like to admit. Growth rarely arrives without discomfort. As leaders, it is important for us to strive for that constant path towards growth. 

As I continue writing my upcoming second book, Leadership Riffs, clarity keeps emerging as wrestle with the ideas shared here. This work is not about spotlighting me. It is about amplifying others. I want my platforms to honor educators and leaders who show up quietly, consistently, and with courage. I want to praise those doing the real work of human-centered leadership. I also want to gently drown out the noise of performative leadership. This noise is loud, fleeting, and hollow.

There is no One Word guiding me this year. There is no formal New Year’s Resolution.

There is simply a commitment.

A commitment to purpose. A commitment to humanity. A commitment to reaching out even when the response is uncertain. A commitment to acknowledging and celebrating those who lead with sincerity, care, and belonging.

That is where I am right now. Still spinning. Still rebuilding. Still choosing what matters.

If School Leadership Had a Wrapped List

smgaillard Education, Leadership, Music, The Beatles , , , , , ,

As the year winds down, our inboxes begin to tell a familiar story.

Year-end notices arrive in waves. Deadlines stack up. Checklists multiply. There is an understandable push toward closure, accountability, and tying up loose ends. Much of it is necessary. Much of it is also draining, especially in a profession where the emotional labor rarely slows down.

Then, there is Spotify Wrapped.

Every year, I look forward to it in a way that surprises me. Wrapped does not ask me to prove anything. It does not measure me against anyone else. Instead, it reflects back what I returned to over time. It names patterns. It celebrates consistency. It turns data into story.

No surprise that The Beatles were once again at the top of my list. It also did not surprise me to see that I landed in the top point five percent of listeners globally. That statistic is fun, but what matters more is what sits beneath it. These are the songs I go back to when I need grounding. The music that meets me where I am and helps me remember who I am.

That contrast stayed with me.

Wrapped invites reflection. School systems often rush toward evaluation. Both look back, but they do so with very different intentions.

The Leadership Reset That Sparked the Idea

This idea began to take shape during a Leadership Reset I have been practicing and sharing with others. You can see an earlier blog post on The Leadership Reset here. It is intentionally simple and designed to fit into real days, not ideal ones. It does not need special materials or extended time. Just a few minutes of presence.

The 3 Minute Leadership Reset

Step 1. Take a Breath for 30 seconds
Close your eyes if you can. Inhale slowly and say to yourself, I am still here.
Exhale and say, I am enough.
Repeat this three times. Let your shoulders drop and your breathing slow. This is the act of reclaiming your space in the moment.

Step 2. Anchor in Gratitude for 1 minute
Ask yourself quietly:
What one small moment today reminded me I am alive?
What one connection, a smile, a song, a student, gave me a spark?
What one thing am I proud of, even if no one noticed it?
Write it down or say it aloud. These moments are leadership echoes that ripple outward even when they feel small.

Step 3. Affirm and Reframe for 1 minute
Say these words out loud, slowly and intentionally:
I am not invisible. I am building something that lasts beyond applause.
My work is meaningful, even when it is quiet.
The music I make through service, kindness, and creativity still plays, whether or not the crowd is listening.
Let these words settle. This is the act of tuning yourself back to the right frequency.

Step 4. Reconnect for 30 seconds
Before moving on with your day, take one small action to reconnect:
Send a brief message to a friend or colleague.
Offer a kind word to a student or staff member.
Play a song that brings you joy.
These micro moments rebuild our leadership core from the inside out.

As I reached this final step, I pressed play on “Now and Then” by The Beatles. It was my number one song again for the second year in a row on my Spotify Wrapped List.

There was something deeply fitting about that moment.

The song carries themes of time, memory, and continuity. It reminds us that voices can still be heard long after the room grows quiet. That truth feels especially relevant in schools, where so much meaningful work happens without applause or recognition.

Leadership is not always loud. Teaching is not always visible. Learning does not always announce itself on a dashboard.

But the work still plays.

What If Schools Had a Wrapped Moment?

Spotify Wrapped works because it tells a story of return. It shows us what we came back to again and again when no one was watching. It honors presence over perfection and patterns over isolated moments. It gives language to what sustained us.

What if we borrowed that spirit in our classrooms and schoolhouses?

Not as another initiative. Not as something to hand in or score. Not as a tool for comparison.

But as an invitation.

A moment to pause. A chance to reflect on the year through a human lens. A way to help students, teachers, and leaders feel seen in a season that often feels rushed.

Your Year Wrapped

A Reflection Template for Classrooms, Teams, and School Communities

This reflection can be used in many ways. It serves as a journaling activity. It can spark a classroom conversation. It can act as a PLC opener. It can also be a quiet end-of-year pause during a staff meeting. There are no right answers and no expectations for sharing. The goal is reflection, not performance.

Most Revisited Moment
What moment from this year did you find yourself returning to in your thoughts or conversations? What made it stay with you?

Most Meaningful Connection
Who made this year better simply by being part of it? This could be a student, a colleague, a mentor, or someone outside of school who helped you keep perspective.

The Song That Carried You
What song, quote, book, prayer, or moment gave you comfort? What gave you energy when you needed it most? Why did it matter?

A Quiet Win
What is something you are proud of that did not receive recognition or attention? What does that say about the kind of work you value?

Your Growth Genre
In what ways did you grow this year, even if it felt uncomfortable, unfinished, or messy? What did you learn about yourself?

Your Comeback Track
On hard days, what helped you reset and keep going? What practices, people, or routines supported you?

Your Hope for What Comes Next
What do you want to carry forward into the next season with intention and care?

This kind of reflection helps us name what often goes unnoticed. It gives dignity to effort, presence, and perseverance.

Why This Matters

In education, we spend a lot of time focusing on gaps and goals. We analyze what is missing, what needs to improve, and what did not move fast enough. That work has its place, but it cannot be the only story we tell.

Reflection like this builds belonging. It helps people feel valued for who they are, not just what they produce. It reminds students that their experiences matter. It helps teachers reconnect with purpose. It allows leaders to remember why they chose this work in the first place.

Most importantly, it creates space for humanity in systems that often move too quickly to notice it.

Press Play Before the Year Ends

Before we close the year with another notice or checklist, perhaps we take an intentional pause.

We take a breath.
We reflect on what carried us.
We press play on what still brings us joy and meaning.

The music we make through service, kindness, and creativity still plays whether or not the crowd is listening. That work echoes in ways we may never fully see.

And sometimes, that is exactly enough.

If you try a Year Wrapped reflection in your classroom or school, I would love to hear how it goes. Please feel free to leave a comment here or tag me on social media. This work is better when we share the music that keeps us grounded and moving ahead.

Keep listening.
Keep reflecting.
Keep believing.

Finding My Band

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When I was a kid, I was often one of the last picked for kickball. I remember the sting of waiting. I stood in awkward anticipation. I hoped someone would invite me on the team. I did my best to keep my head held high like my father had taught me. I watched captains point to someone else and tried not to show my disappointment. I was that kid hoping to belong. Hoping to be seen. Hoping to be chosen.

I think I have spent most of my life chasing that feeling of belonging. Wanting to be part of something bigger than myself. Wanting to feel the spark when you look around and know you are with your people who see you. Wanting a band.

A band for me is not just the literal type where individuals play music together. I use the band as an analogy for collaboration, belonging, and sustaining a shared vision. As a school leader, I would perpetuate this concept by referring to colleagues as “bandmates.” I thought that this mindset would help the culture and enhance belonging for all in the schoolhouse.

Being in a band is wonderful. There is purpose and possibility in the sound you create together. I felt that sense of belonging as a guitarist in a few literal bands. There is nothing like locking into a groove. Seeing another musician look over with that nod says we are in the pocket. I felt that same belonging when I taught English at Governor’s School. I was surrounded by a team of educators who celebrated collaboration and creativity. I felt it a few times in school leadership within administrative teams that shared a vision and worked in harmony.

Spinning on my turntable as of late is “The Beatles Anthology Collection.” It is a treasure trove of alternate takes, live recordings, and demos. It also includes unreleased tracks and a trio of their reunion songs. I love hearing the band workshopping songs and encouraging each other through various mistakes and flubs in the studio. It serves as a reminder of what a band should do when they face an echo of a failure. They should handle the resonance of a mistake wisely and stick together. You play through it, learn from it, and keep the groove moving on. Listening to this beautiful audio package of The Beatles in this alternate trajectory is wonderful. It makes me miss the joy of being in a band. I miss being with people who understand my sound.

Lately, I have been drifting. Feeling like a castaway. Wandering around a crossroads. Watching from a distance as others find their bands. I see camaraderie and connection and I often feel sadness that I am not part of it. Recently, I saw a group of leaders celebrating together in a LinkedIn post and I felt left out. I felt that old kickball feeling. The one that sits heavy.

For a long time I thought that if I waited long enough a band would find me. That a group would invite me in. That someone would want my presence, ideas, and voice. I waited. I believed. I hoped.

And then it hit me. I was waiting for a band that was never coming.

I have also forced the idea of band on others over the years. I regret that. Not everyone is ready to be in a band. I never took the time to realize that I am the barrier to the band. And the harder truth to accept is that maybe nobody wants to be in a band with me. Maybe I am not meant to join someone else’s group. Maybe I am meant to build something from the ground up. I am learning to sit with that. I am learning to accept it with honesty.

So here is where I am now.

I am at peace with where I am now.

I am at peace with the people I get to meet and support daily.

In the meantime, I am forming my own band.

Not by asking others or convincing colleagues or trying to prove myself that a band is the way to go. Not by waiting for an invitation that will never arrive. I am just going to keep creating. Keep writing. Keep podcasting. Keep blogging. Keep finishing the second book. Keep playing my sound without apology.

If I stay true to that maybe the right bandmates will hear the music. Maybe the ones who resonate with authenticity will wander into the room. Maybe belonging is not something you wait for. Maybe belonging is something you build.

I believe in the band. I always have.

And the next track begins now.

The Sound That Prevails: Leadership Lessons from Nick Drake and Unseen Impact

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The Vinyl Moment

This morning, I started my day with a cup of black coffee and a vinyl spin. I always appreciate the reflective warmth of time alone with coffee and the crackle of the needle on an album. I decided to start the day with Nick Drake’s “Five Leaves Left.” His 1968 debut is going through a renaissance of source with a recently released multi-disc archival reissue. “The Making of ‘Five Leaves Left'” was recently nominated for a Grammy Award for Best Historical Album.” “Five Leaves Left” is timeless and intimate with the delicate stylings of Nick Drake’s voice and solid layers of his acoustic guitar fingerpicking. Some of the tracks resonate with the lush sensitivity of orchestral accompaniment. Unfortunately, the quiet beauty of this music was largely unheard in Nick Drake’s lifetime. The album did not chart in the artist’s United Kingdom homeland or the United States. It is estimated that “Five Leaves Left” my have sold 5,000 copies initially. A few UK critics admired the album and praised its songwriting, but Nick Drake’s debut did not serve as the basis for any triumphant herald.

There is something sacred about starting the day with Nick Drake on vinyl. The gentle crackle of the needle gives way to his quiet voice, fragile yet eternal. In his lifetime, few listened. His albums never charted. His songs drifted into silence before they could find an audience. Yet decades later, his music has become a timeless canon that reaches hearts he never lived to know. I think about that often as a leader. We may never fully know the reach of our work or the appreciation we long to feel. We hear the critiques, the surveys, the noise of what is wrong. But somewhere, in the midst of that silence, our sound still carries. It reaches someone. It matters.

The Unheard Artist

Nick Drake’s musical career continued on that same trajectory as his debut. He released two more albums in his lifetime. None of them charted and received little radio airplay. Nick Drake also struggled with promoting his work due to his lack of confidence with live performance. The record company believed in his artistry but struggled with how to market and promote him. Nick Drake also struggled with depression. Tragically, Nick Drake died at 26 unaware of how profoundly his music would resonate decades later.

There’s something in the story of Nick Drake that mirrors leadership. The work we do as leaders is sometimes unseen, unacknowledged, and often uncelebrated.

The Leader’s Quiet Stage

As a school leader over the years, I have had my share of complaints, negative survey outcomes, and feedback that can sting. It’s easy to for others to fixate on what’s wrong or missing from your leadership. In those moments, it can alienating like no one can hear the song you are trying to play. Even though these moments are fleeting, sometimes they can fester. I can definitely acknowledge the emotional cost that those moments can ignite spaces of self doubt, loneliness, and Imposter Syndrome. We have to tune into the belief that leadership, like art, is an act of faith that the sound will reach someone even if you never know it.

A Therapeutic Takeaway for Reflection

In a recent conversation with my therapist, he encouraged me to sit still and reflect upon the impact that I had made over the years as a school leader. It was a timely reminder that I took to heart as we bemoaning the negative moments and allowing them permission to define my core and impact as a leader. Sometimes, it’s not loud applause but quiet ripples that matter the most. Those quiet ripples like a teacher’s growth, a student’s success or a colleague’s encouragement that resonate in ways that we never know. We just have to know that when we lean into the gifts of others that we are making an impact. We have to believe in ourselves even on the days when we think no one believes in us.

An Unlikely Impact in a Volkswagen Commercial

Nick Drake’s songs eventually reached millions nearly 25 years after his untimely death. The resonance of his beautifully wrought music from his small corpus of three albums took time, but it happened. In 1999, a commerical promoting the Volkswagen Cabrio used the title track from Nick Drake’s final album, “Pink Moon.” A massive revival of Nick Drake followed and the small cult following that had kindled the flames of Nick Drake’s work felt validated by this movement. I remember seeing said commerical and almost falling off my couch. I had lovingly kept, “Way to Blue,” a compact disc complilation of Nick Drake’s music as one of my most cherished albums. I was in a small club of devoted followers who were drawn to the ache of Drake’s music-the bittersweet, poetic lyrics, the complex guitar tunings, and the moving production. Now, Nick Drake was catapaulted into legendary musical infinity. His voice now timeless and boundless for future generations to discover and cherish.

In leadership, sometmes our influence often plays out long after the moment. The sound of encouragement, belief, and kindness endures even if we never hear it echoed back. When we do hear that echo land back to us, it is important that we treasure that moment and know that our presence mattered to someone else. We should take stock of that moment of impact on someone else and be grateful that our presence mattered to someone else and proved to be a salve for that person.

I think of the leaders and teachers who saw something in me that I did not see in myself and I am grateful. As best as I can, I try to let that past leaders and teachers that their seemingly small act of seeing me and believing in my worth changed my world. Even though Nick Drake passed away when I was a mere child of four years and an ocean away, his music made my days less lonely when I was questioning my own journey. Now, I unabashedly give thanks for the music and legacy of Nick Drake.

Keep Playing

Even when appreciation feels absent, keep playing your song. Leadership is not a performance for applause or validation. Sometimes, it’s a quiet composition for connection. The work we do may not always be noticed, but it still matters. Somewhere, in a classroom, a meeting, or a passing moment, a note of what you’ve created is resonating. The sound may be soft, but it carries. Keep playing, even when the room feels silent. Trust that your melody will reach someone who needs it, even if you never hear the echo. The sound prevails.

Here’s the famous 1999 Volkswagen commercial featuring Nick Drake’s “Pink Moon.”

Be a Member of the Band: How Great Leaders Create Space for Others to Shine

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The other day I was listening to The Beatles Channel on Sirius XM. I know that sounds like a casual moment, but truth be told, I spend plenty of time tuned into that station. As a lifelong Beatles fan, I’m fully immersed in their world of melodies, harmonies, and timeless lessons.

In between the songs and interviews, the channel often airs short reflections from musicians and fans. One that recently stood out to me came from John Oates, half of the legendary duo Hall & Oates. He shared a story about his friendship with George Harrison that has been playing in my mind ever since.

Oates talked about how he and George connected over a shared love of Formula One racing. That connection eventually led to visits at George’s home, Friar Park. During one visit, Oates mustered the courage to ask if George would play guitar on the Hall & Oates album Along the Red Ledge. George agreed, but he had one request: he only wanted to be a member of the band.

He didn’t want to take the lead. He didn’t want to be “George Harrison of The Beatles.” He just wanted to play alongside everyone else and contribute to the groove. His guitar work shines on the track “The Last Time,” yet what makes this story powerful is George’s humility. Here was someone who had stood on the world’s biggest stages, yet he found meaning in simply being part of the band.

That lesson resonates deeply with me. I’ve played in a few bands myself. I’m not a virtuoso guitarist, but I’m a solid rhythm player. I love creating that foundation that lets others soar. There’s something special about hearing another musician shine because you’re holding down the rhythm behind them. That’s leadership in action.

David Bowie did a similar move when formed the band, Tin Machine. Here was one of the most iconic solo acts in music simply wanting to be a part of a band. Bowie was known for making all kinds of unexpected turns and pivots in his career. Here, he took an eclectic turn and went back to the basics of being in a band. The band wasn’t called “David Bowie and Tin Machine.” It was simply Tin Machine.

Leadership is often seen as standing front and center, but the best leaders know when to step back. Sometimes the greatest impact we can have is to lay down a steady rhythm that allows others to take flight. Being a leader means being a collaborator, a listener, a supporter. It’s about tuning into the strengths of others and amplifying them for the good of the team.

George Harrison reminded us that leadership isn’t about spotlight moments or social media metrics. It’s about humility, collaboration, and humanity. It’s about seeing the gifts in others and creating the space for those gifts to be heard.

So, wherever you lead, whether it’s a classroom, a meeting, or a community, remember this simple truth: the best leaders know how to be a member of the band. Tune into the gifts of others. Uplift their strengths. Create harmony together. That’s how the best songs and the best teams are made.